While we were in Austin for SXSW, not only was Tremble founder Jamie McGaw conducting interviews for Tremble, but he also played “Super Party Man” at the Mad Decent/Check Yo Ponytail/Fools Gold show.
Check out this video. Mr. McGaw is the host with the mask and cape.
Dutch singer-songwriter Thijs Kuijken of “I am Oak” takes a moment to talk to the tremble crew while he was down in Austin for SXSW. He tells us about his songwriting process, how influential nature is, and plays us a new, unreleased song. He’s got a new album called “Nowhere on Tammensaari” coming out in June, which we’re pretty excited about.
It was so great talking with the cats from Quilt down in Austin. Anna Fox Rochinsk, Shane Butler, and John Andrews were incredibly gracious and humble. Such an awesome band. Their self titled album came out in November on Mexican Summer, and it’s chocked full of twangy psychedelic grooves, with some great harmonies. We’ve been listening to Quilt nonstop.
Our annual SXSW coverage has begun, and we will be releasing video interviews we conducted over this next week. So make sure you check back daily for new video interviews with Quilt, I am Oak, CFCF, Capsula and many others. Covering SXSW is a double edged sword for us- we both love and hate to cover this festival. The Seun Kuti and Egypt 80 performance we covered in Austin, which is shown in the video above, was plagued with problems from the start. Egypt 80 should’ve never played on such a small stage, and the venue couldn’t handle the set up. Seun and Egypt 80 flew all the way from Nigeria to play this show, which was cut short due to the technical difficulties of the sound booth and set up. They only played for 25 minutes, which was a travesty. A typical SXSW scenario. Here is a accurate article from Tiny Mix Tapes about this year’s SXSW Festival.
Tremble was fortunate to see Egypt 80 play again this past Sunday at the House of Blues in Chicago, and there was no comparison. They actually had enough room on stage to move around.
In this video, Seun Kuti tells us about the timeless attributes of the Afrobeat genre, the implications of the retraction of the oil subsidies on the Nigerian people, western vs. african governmental corruption, and what’s coming up for Egypt 80.